Matt and myself, reading my books. During a break on a ride.
Now that we are in to December I have started to think about the past year, and my photography.
Now that we are in to December I have started to think about the past year, and my photography.
I
have continued to develop and focus on the type of photography I like
to do. People photography is still at the top of my list.
But
I have also come to appreciate the photography produced whilst
cycling. I think this has seen the biggest improvement. I don't want
to produce a snap of the event, just to record a place I cycled
through or to. I want to have an image that stands on it's own.
Without having the cycling as a reason for it to exist.
I
had a picture printed on canvas a while back. It really stands out
and looks good on the wall. So I started looking at the cycling
pictures with a view to printing them in the same way. My last blog
post talks about the books I printed from the pictures.
They
need to be bold images, and the orientation has to be right for where
I will hang them. One portrait, the other landscape. Selecting forty
pictures for the books was hard enough, now I have to bring that
number down to just two.
My
portrait photography has continued to improve. But not as fast as I
had hoped. The professional critique a couple of months ago showed me
that what had really improved was my ability to connect with the
subject. Put them and myself at ease. What hadn't improved as much as
I had hoped was the end result. I see now that I had found a
comfortable approach that meant the pictures were consistent, but not
different enough from a year ago. I should have spent the year
experimenting. With light and composition. I should have looked at
each picture and said to myself. How could I have made it better? How
could I have made it stand out? Instead of safe lighting, could it
have been more dramatic? I have found myself using the same one or
two lenses. I have others, why hadn't I used them? I could have been
testing my control of depth of field, perspective etc. Damn it.
I'll
start the new year with more questions for myself. I have a family
portrait session taking shape for January. Seven people and a dog. I
have some ideas, I don't want to produce a series of white
background, high key pictures. I'll need to discuss what the client
wants. But I think between us we can achieve a set that wont look the
same as they will have seen from their friends studio shoots. I know
it's putting more pressure on me. But I really want all my pictures
in 2017 to have that something extra, to look better than I would
have produced this year. I don't want anyone, including myself, to
say they're just okay.
Some of the contenders for possible canvas printing
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