How many is too many?

I was talking to a friend who has just booked a photographer for his wedding next year. He asked me how many photographs I thought would typically be delivered after a wedding. I thought back to the best day in my life, some twenty year ago. We had a book of proofs containing about 80 pictures. This was pre digital remember.

James, my friend, said the photographer promised a USB stick containing all the unedited pictures. He told to expect about 4500. A second USB stick would follow with a slightly smaller number of edited pictures. This would take six to eight weeks. I had to ask if he had heard correctly, 4500 seemed an excessive number. For easy maths, if the photography is on his own and covering the wedding from preparation to first dance lets says it's ten hours. That means an average of 450 per hour, or 7.5 a minute. And why show every shot? Isn't it part of the photographer's skill to plan each shot, ensuring composition, exposure etc are correct when the shutter is pressed, and then to be able to weed out the not perfect shots? Delivering only the best.
It appears to me to show lack of confidence. Taking a huge number, to ensure enough are okay, doesn't seem sensible.

I investigated what other wedding photographers provided in their packages. And read forums to get an idea about weddings in the digital age.

What I found surprised me.

It is now common for 300, 600 or even 1000 edited pictures supplied. To have even 300 pictures to edit after the usual cull during processing must mean a huge number were taken. What could they be of? How many set piece pictures can there be? Add some unposed moments, the speeches, the preparation and first dance. Doesn't add up to thousands.

I'm not a wedding photographer. I'm just remembering my day. If you do shoot weddings, I would like to know your view.

And then I thought about how long the wait for the proofs was. When we got back from honeymoon the proof book was ready for our viewing. So that's two weeks. We chose the ones we wanted, the other guests made their choices, and about two or three weeks later our pictures were delivered. I'm reading six to eight week waits, or longer for the proofs.

The digital age seems not to have made life easier, it has given photographers more work. Clients now expect hundreds of pictures. Why? Is it photographers justifying their fee by supplying huge numbers of pictures? Or is it the clients who think more is better? It appears to be accepted that the biggest part of a photographer's time is spent away from photography, sitting in front of a computer editing must take a lot of time if you have to process hundreds or even thousands of pictures for each assignment.

Isn't it better to produce 80 to 100 edited pictures for the client to choose from? I know if I had been presented with many times more proofs, I wouldn't have been many times more impressed. I was given good quality pictures that covered the day. Having lots more very similar ones wouldn't have made a difference.

As I said above, please let me know your thoughts. Am I completely out of touch?

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Long winter MTB ride

The intrepid group

I try to keep my cycling fresh. New routes, bigger distances, different terrain. Of course finding the time is difficult. Life gets in the way. I can't always do longer rides with my mates. It's even more of a challenge to organise a group.

My local bike shop, Ross Cycles, organise Tuesday evening rides, no good for me. So when they posted about a Sunday ride I signed up.

It was 22 miles of trails and lanes. The best part is when I say local I mean local. They are about 30 secs from my door. Great if I need a bike repair or accessory. Even better that the 8am start meant I didn't have to leave the house very early.

It rained heavily most of Saturday, so parts of the ride were very muddy. It's been a while since my bike has seen so much mud. Maybe even as long ago as the South Downs Way.

Crossing fields was the worst, the mud quickly built up around the wheels and bottom bracket. But there were dryer parts where I could up the speed causing the mud to fly off.

The views made it worth it. The sun was out and the temperature climbed to a pleasant level.

Another team shot.

We had regular breaks so it didn't get too much.

And the autumn colour was still evident.

The route was a big circle and we passed under the M25 a couple of times.

There were a few obstacles that sometimes needed ingenuity to overcome.

And then near the end, a pub that needs a revisit when it's open and a little warmer. It would make a very nice place for a pitstop.

Can't wait for the next Sunday ride.

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Team photoshoot

Alison checking the details

Up until now my shoots have been just the subject of the shoot, occasionally a studio, and me.

So they have been fairly easy to organise. It wasn't too difficult to get all the elements together. Pencil in a date with the subject of the shoot. And if it was a studio shoot, book it. Apart from checking a couple of days before that was it.

This time it involved the MUA; my niece Allison, Janayah the model and me. The location was Battersea Park. I had shot there before. So only the weather could cause a problem.

What made it a little more complicated was having three people involved. This meant plenty of texts confirming and reconfirming and chats about what to bring, who was responsible for what. I need to do more shoots like this, involve a team.

The main point was to give Alison a blogpost: what is was like to plan a shoot, style it and complete all of the creative tasks to deliver the planned look.

For Janayah: she would get more pictures and experience of working with an MUA.

And for me: working with a bigger team. Even if it was only one more person. It was good have a more focused goal for the shoot; to highlight and show off Alison's work. Choosing the best light, angle and pose.

The weather was the first potential issue. It was raining in the morning. After calling each other and checking BBC weather we decided it was going to clear up in time. So it was still a go on the shoot.

When we all met up in the park, the weather was great. A little overcast and not too windy.

There was a great vibe on the shoot straight away.

The results are brilliant. Janayah is such a nice person and a relaxed model. Alison is great to be around and did beautiful work. I hope we can all work together again.

Alison making sure everything was just right.

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Confidence

Much about successful photography is about confidence. Probably as much as experience. And certainly more than the equipment being used.

Three years ago when I decided to become more serious about people photography I lacked confidence in my ability to quickly connect with a person I had just meet. And it's that connection between photographer and subject which can make a photograph. Successful photographers have it. They quickly connect with the subject to steer the shoot in the right direction.

I knew I needed to gain experience in the technical aspects, and in quickly building a rapport. To do that I hired models. I could think about what I was doing, experiment and listen to advice without any pressure. If I came away without a good picture it didn't really matter. My photography had still improved. After a while, as the technical side started to become second nature and I found the initial meeting less stressful I was the one doing the directing. I still listened to the models and learned, but I was confident enough to start to take charge. I don't mean that until then the models had taken charge. Just that they knew how to keep the shoot flowing. Another skill I was beginning to master.

An aspect of a photoshoot I hadn't thought about was keeping it flowing, maintaining its energy.

Now my confidence had grown I could feel myself building and maintaining this energy.

I found it easier to keep the shoot moving. To know when to stick with a setup. How to tweak it and improve it. To know when we had the shot, and it was time to move on.

And just as importantly, move on quickly when it wasn't working.

Anyone you photograph can feel if you aren't in control, and confident about what you are doing. Experienced models cope with it, people not use to being photographed don't tend to. I am the first to admit, I don't really like being photographed. But if it's by someone who puts me at ease, and calmly goes about the task. I relax and that improves the results. So when I'm photographing a less confident person, I know I am better now at putting them at ease. Building their confidence.

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Motivation III

When I shared the two pictures above it was with the line. Contemplative pause during an autumn cycle ride. Or Norman no mates taking a breather.

I can’t remember how many rides I’ve done solo lately.  Matt has been unavailable lately, like me. Life has been getting in the way. So it’s been self motivation that has got me out on my bike. All week at work I look forward to cycling at the weekend. But then on Saturday morning the voice in my head is shouting loudly. “Matt’s not cycling, stay in bed”. I have ignored the voice, got up and cycled. And as always, felt better for it. But it gets more difficult to ignore every week.

Today was about as difficult as it gets. I got the abort text as I was about to get up. It had been raining last night as well so it wasn’t going to be as nice a ride as it was yesterday. Then ten minutes in, it started raining. The voice was back, this time telling me to go home and avoid a soaking. But I kept going. As I write this having had a shower and breakfast. I’m again glad I went out and didn’t turn back. I’m not sure how many more weekends I can cycle alone, especially as the weather gets worse.

Come back Matt.

Yesterday I saw a lot of cyclists. Today just five. So I guess I’m not the only one whose little, stay at home voice, is becoming more vocal.

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Disappointed

A picture from a while ago. It shows White Lane, and the steep last part of the climb.

Yes, disappointed with myself. Matt was on holiday last weekend so it was a lone cycling two days. I tend to ride the road bike when I'm on my own. It rarely gets ridden and it's faster. But how much faster?

As I cycled a slightly off road route on Saturday I decided to find out. It would be Saturday on the mountain bike. Sunday on the road bike. I'd have to choose a route on Sunday that was similar to Saturday's without the off road bit.

I use cyclemeter on my phone to record my rides. Distance, ascents and descents, speed etc are all recorded. The route would include White Lane. It is a very steep hill Matt and I don't often climb. I had conquered it on both road and mountain bikes before. It is tough, but doable.

The mountain bike climb was harder than I remembered. I couldn't get the lowest gear, it stuck during the down change. But I made it.

On the road bike the next day I had started talking myself out of climbing the hill way before I got there. As approached the steepest part, I slowed almost to a walking pace. And finally admitted defeat, got off the bike, and walked the rest. Ever since then I have wanted to get back on the bike and make another attempt. It is very rare that I give up during a climb. I've been beating myself about it. I'm not cycling next weekend. After that I will be with Matt. So the road bike will remain in the garage. White Lane will have to wait.

How much faster, even with the walking, was the road bike? Twenty minutes over a 17 mile ride.

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